Klryz
Pronunciation guide: the Pali alphabet and its sounds

Pali has 41 letters, in this order (the dictionary’s order): a ā i ī u ū e o · k kh g gh ṅ · c ch j jh ñ · ṭ ṭh ḍ ḍh ṇ · t th d dh n · p ph b bh m · y r l ḷ v s h · ṃ. Devanagari is shown beside each word; Pali is also written in Sinhala, Burmese, Thai and other scripts.

Vowels

aअa in “about” (short)
āआa in “father” (long)
iइi in “sit”
īईee in “see” (long)
uउu in “put”
ūऊoo in “food” (long)
eएay in “day”; short before two consonants (mettā)
oओo in “go”; short before two consonants (sotthi)

Consonants

Throat

kकk in “skin”
khखk with a puff
gगg in “go”
ghघg with a puff
ṅङng in “sing”

Palate

cचch in “church” (never k)
chछch with a puff
jजj in “jam”
jhझj with a puff
ñञny in “canyon”

Tongue curled back

ṭटt, tongue tip curled back
ṭhठthe same with a puff
ḍडd, tongue curled back
ḍhढthe same with a puff
ṇणn, tongue curled back

Teeth

tतt on the teeth (French t)
thथt with a puff, “at home” (never “thin”)
dदd on the teeth
dhधd with a puff, “adhere” (never “this”)
nनn in “nut”

Lips

pपp in “spin”
phफp with a puff, “uphill” (never “f”)
bबb in “bat”
bhभb with a puff, “abhor”
mमm in “mat”

Others

yयy in “yes”
rरa light tapped r
lलl in “love”
ḷळl with the tongue curled back
vवbetween v and w
sसs in “sun” (never z)
hहh in “hand”
ṃंniggahīta: a nasal hum (saṃgha ≈ “sang-gha”); also written ṁ

How to say a word

  • An h after a consonant (kh, th, dh, ph, bh…) is a puff of breath, never English “th” or “ph”.
  • Double consonants are held: dham·ma, bud·dha, sat·ta (like “bookcase”, not “booking”).
  • Long syllables have ā ī ū e o, end in ṃ, or come before two consonants; the others are short. Stress the second-last syllable if it is long (nib·bā·na, met·tā), otherwise the one before it.
  • Each entry shows the word split into syllables, e.g. nib·bā·na, saṅ·gha, met·tā.
Pali grammar, metre and literary devices

Grammar: genders and numbers

masculinedhamma, buddhamost -a stems; nominative -o (dhammo)
femininemettā, paññāmostly -ā, -i, -ī stems
neutercitta, rūpa-a stems; nominative -aṃ (cittaṃ)
singular / pluraldhammo / dhammāPali has two numbers; the old dual is lost

Grammar: the 8 cases (dhamma, masc.)

nominativedhammo · dhammāsubject
accusativedhammaṃ · dhammeobject; goal of motion
instrumentaldhammena · dhammehiby, with
dativedhammāya, dhammassa · dhammānaṃto, for
ablativedhammā, dhammasmā, dhammamhā · dhammehifrom; because of
genitivedhammassa · dhammānaṃof
locativedhamme, dhammasmiṃ, dhammamhi · dhammesuin, on, at; when
vocativedhamma · dhammāO …!

Singular · plural. buddha declines the same way: buddho, buddhaṃ, buddhena, buddhāya/buddhassa, buddhā, buddhassa, buddhe, buddha.

Grammar: verbs (bhavati / hoti “is, becomes”)

presentbhavati, hoti · bhavanti, hontihe/she is · they are; also bhavāmi/homi “I am”
aorist (past)ahosi · ahesuṃhe/she was · they were (also abhavi)
futurebhavissati, hessati, hohitiwill be
optativebhaveyyamay be, should be (wishes, rules, conditions)
imperativebhavatu, hotu · hontulet it be · let them be
conditionalabhavissawould have been (rare)

Grammar: non-finite forms

absolutive -tvābhavitvā, hutvā; gantvā, disvāhaving been; having gone, having seen
infinitive -tuṃbhavituṃ, kātuṃ, gantuṃto be, to do, to go
present participle -nt / -mānabhavanto, bhavamānabeing
past participle -ta / -nabhūta, kata, dinnabecome, done, given
future passive -tabba / -anīyakātabba, karaṇīyato be done, what should be done

Grammar: compounds (samāsa)

dvandasamaṇabrāhmaṇā“ascetics and brahmins”: X and Y
tappurisarājaputta“king’s son”: Y of/by/for X
kammadhārayamahāpurisa“great man”: Y that is X
digutiratana“the three jewels”: a numeral first
bahubbīhimahāpañña“(one) having great wisdom”: describes someone else
avyayībhāvayathābalaṃ“according to strength”: indeclinable, adverb-like

Grammar: sandhi (joining sounds)

vowel droppedna + atthi → natthi“there is not”
vowels mergetatra + ayaṃ → tatrāyaṃa + a → ā
i + voweliti + evaṃ → iccevaṃi becomes y, ty → cc
ṃ + vowelevaṃ + āha → evam āhaṃ becomes m
ṃ + consonantsaṃ + gaha → saṅgahaṃ takes the nasal of the next consonant
doublingpa + kamati → pakkamatia consonant is doubled after a prefix

Prosody: heavy and light syllables

garu (heavy) –ā ī ū e o; a short vowel + ṃ or two consonantsdham- in dhamma, saṃ- in saṃgha
lahu (light) ⏑a short vowel (a i u) + at most one consonantma- in manasā

Metres are counted either by syllables (akkharachandas) or by morae, mattā (light = 1, heavy = 2).

Prosody: main metres

siloka (anuṭṭhubha)4 × 8 syllablesthe commonest; even lines usually end ⏑ – ⏑ x
tuṭṭhubha4 × 11 syllablesyānīdha bhūtāni samāgatāni (Ratana-sutta, Sn 222)
jagatī4 × 12 syllablesa tuṭṭhubha line with one more syllable; the two are often mixed in one verse
vetālīyalines of 14 + 16 mattācounted in morae, with the cadence – ⏑ – ⏑ –
opacchandasakalines of 16 + 18 mattālike vetālīya, cadence – ⏑ – ⏑ – –
mattāchandasmetres counted in mattāvetālīya, opacchandasaka and the old gīti/āryā forms

Dhammapada 1 (siloka): manopubbaṅgamā dhammā / manoseṭṭhā manomayā / manasā ce paduṭṭhena / bhāsati vā karoti vā: “Mind precedes things; mind is their chief, they are mind-made; if one speaks or acts with a corrupted mind …”

Literary devices in the canon

repetition, peyyāla… pe …repeated passages are written once and abbreviated with pe(yyāla), “and so on”
stock formulasevaṃ me sutaṃ. ekaṃ samayaṃ bhagavā …“Thus have I heard. At one time the Blessed One …”
numerical listscattāri ariyasaccānithe Aṅguttara Nikāya is arranged by number (ones to elevens); mātikā are the Abhidhamma’s lists of headings
similes (upamā)seyyathāpi … evam eva“just as … even so”, e.g. the raft (kullūpama, MN 22)
verse and prose (geyya)prose then summarising versesgeyya is one of the nine kinds (aṅga) of the Teacher’s word
dialogue, questionstaṃ kiṃ maññatha bhikkhave, rūpaṃ niccaṃ vā aniccaṃ vā ti? aniccaṃ bhanteteaching by question and answer (SN 22.59)
refrainseko care khaggavisāṇakappo“let one wander alone like the rhinoceros horn” ends each verse of Sn 35–75
chiasmus, ring structurena hi verena verāni sammantīdha kudācanaṃ / averena ca sammantimirrored order (Dhp 5); many suttas end by returning to their opening
word-playlujjatī ti kho bhikkhu, tasmā loko ti vuccati“it crumbles (lujjati), so it is called the world (loka)” (SN 35.82)
epithetsbhagavā, tathāgata, sugataand the ‘iti pi so’ list: arahaṃ sammāsambuddho vijjācaraṇasampanno …
framing storiespaccuppannavatthu · atītavatthu · samodhānaa Jātaka’s present story frames the past story, then identifies the characters; Vinaya rules each have an origin story
uddānaa mnemonic verse after each vaggalists a key word from each sutta so the chapter can be recited from memory

Sources: A. K. Warder, Introduction to Pali (Pali Text Society, 3rd ed. 2001) and Pali Metre (PTS, 1967); W. Geiger, Pāli Literatur und Sprache (1916), rev. K. R. Norman as A Pāli Grammar (PTS, 1994); K. R. Norman, Pāli Literature (1983) and his papers on Pāli metre.

Pali Dictionary

विमान

vimāna

Say it: vi·mā·na

neuter

Sanskrit equivalent

रथ ratha

Meaning

Vimāna1

neuter lit. covering a certain space, measuring; the defns given by Dhpāla refer it to “without measure,” i.e. immeasurable. Thus = vigata-māne appamāṇe mahanta vara-pāsāda Vv-a.131; = visiṭṭhamānaṁ, pamāṇato mahantaṁ Vv-a.160
■ applied meaning: heavenly (magic) palace, a kind of paradise elysium.

  1. General remarks:
    1. The notion of the vimāna is peculiar to the later, fantastic parts of the Canon, based on popular superstition (Vimāna & Peta Vatthu, Apadāna, Jātaka and similar fairy tales). It shows distinct traces of foreign (Hellenic-Babylonian influence and rests partly on tales of sea-faring merchants (cp. location of V. in mid-ocean). On the other hand it represents the old (Vedic); ratha as chariot of the gods to be driven at will (cp. below 5, 7, 8). Thus at Vv.16 (here as 500 chariots!), Vv.36, Vv.63, Vv.64; Ja.i.59 (deva-vimānasadisa ratha)
    2. The vimānas are in remote parts of the world (cp. the island of the blessed), similar to the elysium in Homer’s Odyssey, e.g. iv.563 sq.: ̓σἐς ̓*Ηλύσιον πεδίον κα ̓σἐς ̓*Ηλύσιον πεδίον και πείρατα γαίης ἀχάνατοι πεμψουσιν etc. (translation G. Chapman: “the immortal ends of all the earth, the fields Elysian Fate to thee will give; where Rhadamanthus rules, and where men live a nevertroubled life, where snow, nor show’rs, nor irksome winter spends his fruitless pow’rs, but from the ocean zephyr still resumes a constant breath, that all the fields perfume”). Cp. Ehni, Yama p. 206 sq
    3. In popular religion the influence of this eschatological literature has been very great, so great in fact as to make the Vimāna and Peta-vatthus & the Jātakastories exemplifying the theory of retribution as appealing to an ordinary mind by vivid examples of mythology, greater favourites than any other canonical; book. From this point of view we have to judge Mhvs.14, Mhvs.58: Petavatthuṁ Vimānañ ca sacca-saṁyuttaṁ eva ca desesi thero…
  2. The descriptions of the Vimānas are in the most exuberant terms. The palaces (kingdoms in miniature) are of gold, crystal or exquisite jewels, their pillars are studded with gems their glittering roofs are peaked with 700 pinnacled turrets (Vv-a.244, Vv-a.289; also as “innumerable” Vv-a.188, or 18,000 Tha-ap.63). Surrounded are these towering (ucca) mansions by lovely, well-planned gardens, the paths of which are sprinkled with gold dust; they are full of wishing-trees, granting every desire. There is a variety of stately trees, bearing heavenly flowers fruit, swaying gently in delicious breezes. Lotus ponds with cool waters invite to refreshing baths; a host of birds mix their songs with the strains of cymbals and lutes, played by heavenly musicians. Angelic maidens perform their dances, filling the atmosphere with a radiant light which shines from their bodies. Peace and happiness reign everywhere, the joys of such a vimāna cannot be expressed in words. This elysium lasts for aeons (cira-ṭṭhitika Vv.80:1, kappa-ṭṭhāyin Thag.1190) in short it is the most heavenly paradise which can be imagined
    ■ For a monograph of vimāna the Vimāna Vatthu and its Commentary should in the first place be consulted.
  3. The inhabitants of the Vimānas are usually happy persons (or yakkhas: see Stede, P. V. trsl. 39–41), called devatā, who have attained to such an exalted state through their own merit (puñña see foll 4)
    ■ Departed souls who have gone through the Petastage are frequently such devas (at Vv.17:2 called pubbadevatā). That these are liable to semi-punishment and semi-enjoyment is often emphasized, and is founded on the character of their respective kamma: Ja.i.240 (vimāna-petiyo sattāhaṁ sukhaṁ anubhavanti, sattāhaṁ dukkhaṁ); Ja.v.2 (vemānika-peta-bhavena-kammassa sarikkhako vipāko ahosi; i.e. by night pleasures; by day tortures); cp. Pv.24 (see Stede, Gespenstergeschichten des Peta Vatthu p. 106), Pv.32:8; Pv-a.204, Pv-a.210 & Divy p.9. Expressions for these “mixed” devatās who are partly blessed, partly cursed are e.g. : vimānapeta Pv-a.145, Pv-a.148, Pv-a.271, Pv-a.275; f. vimāna-petī Pv-a.152, Pv-a.160 Pv-a.186, Pv-a.190; vimāna devatā Pv-a.190; vemānika-peta Ja.v.2; Pv-a.244; Dhp-a.iii.192 (as powerful, by the side of nāgas & supaṇṇas)
    ■ In their appearance they are like beautiful human beings, dressed in yellowish (pīta, expld as “golden” robes (cp. the angels in the oldest Christian apocalyptic literature: on their relation to Hellenic ideas see e.g. A. Dieterich, Nekyia, Leipzig 1903, pp. 10–18, 29: red & white the colours of the land of the blessed), with gold and silver as complementary outfit in person and surroundings Thus throughout the Vimāna Vatthu, esp. Nos, 36 47 (pīta-vimāna). Their splendour is often likened to that of the moon or of the morning star.
  4. Origin of Vimānas. A vimāna arises in the “other world (paraloka) at the instant of somebody doing good (even during the lifetime of the doer) and waits for the entry of the owner: Dhp-a.iii.291 sq. In the description of the vimāna of the nāga-king (J vi.315 = Vv.84:22) it is said on this subject: a vimāna is obtained neither without a cause (adhicca), nor has it arisen in the change of the seasons, nor is it self-made (sayankata), nor given by the gods, but “sakehi kammehi apāpakehi puññehi laddha” (i.e. won by one’s own sinless & meritorious deeds)
    ■ Entering the Vimāna-paradise is, analogous to all semi-lethal passing over into enchanted conditions in fairy tales, compared with the awakening from sleep (as in a state of trance): sutta-ppabuddha Dhp-a.iii.7 Of the Vimāna itself it is said that it appears (pātur ahosi), e.g. Vv-a.188; Dhp-a.i.131; or arises (uggañchi Dhp-a.iii.291; Vv-a.221.
  5. Location of the Vimānas The “vimāna” is an individual paradisiacal state Therefore vimānas are not definitely located “Elysian Fields.” They are anywhere (in this world as well as in the Beyond), but certain places are more favourable for their establishment than others. Thus we may state that κα ̓τ ἐςοξήν they are found in the neighbourhood of water. Thus either in the Ocean (majjhe sāgarasmiṁ Thag.1190; samudda-majjhe Pv-a.47), where access is possible only through adventures after shipwreck or similar causes (Ja.iv.1 sq.; Pv.46); or at one or the other of the great lakes of the Himavant (Pv.24). They are in out-of-the-way places (“end of the world”); they are also found in the wilderness: Vv.84; Pv.38:2. As tree-vimānas with rukkha-devatā as inhabitants they occur e.g. at Ja.iii.310; Ja.v.502; Pv.9; Pv.21; Pv-a.244. Very often they are phantasmagorical castles in the air. By special power of their inhabitants they may be transported to any place at will. This faculty of transference is combined with the ability of extremely swift motion (compared to the speed of thought: manojava). Thus a golden palanquin is suspended in mid-air above a palace at Vv-a.6 (ākāsa-cārin, sīgha-java). They are said to be ākāsaṭṭhānāni Ja.vi.117; Snp-a.222, Snp-a.370 (but the palace of the Yakkha Āḷavaka is bhumma-ṭṭha, i.e. stands on the ground, and is described as fortified: Snp-a.222) The place of a (flying) vimāna may be taken by various conveyances: a chair, an elephant, ship, bed, litter etc. Or the location of it in the other world is in the Cittalatāvana (Vv.37), or the Pāricchattaka tree (Vv.38), or in the Cātummahārājika-bhavana (Vv-a.331)-Later on, when the theory of meritorious deities (or departed souls raised to special rank) as vemānikā devā was established, their abode was with their vimānas settled among the Tāvatiṁsa (e.g. Vv-a.188, Vv-a.217, Vv-a.221 Vv-a.244, Vv-a.289; Dhp-a.iii.291), or in the Tusita heaven. Thus Tusita-pura interchanges with Tusita-vimāna at Dhp-a.ii.208. The latter occurs e.g. at Dhp-a.iii.173, Dhp-a.iii.219.
  6. The dimensions of the Vimānas are of course enormous but harmonious (being “divine”), i.e. either of equal extent in all directions, or specially proportioned with significant numbers. Of these the foll. may be mentioned. The typical numbers of greatest frequency are 12, 16, 30, 700, in connection with yojana. The dimensions, with ref. to which 12 & 16 are used, are length, width, height, & girth, whereas 700 applies usually to the height (Dhp-a.iii.291 e.g. , where it is said to be “over 700”), and the number of turrets (see above 2). At Vv-a.267 (satta-yojana-pamāṇo ratho) No. 7 is used for 700; No. 30 (extent) is found e.g. at Dhp-a.iii.7; Thag-a.55; No. 12 e.g. at Ja.vi.116; Dhp-a.iii.291; Vv-a.6, Vv-a.217, Vv-a.221, Vv-a.244, Vv-a.246, Vv-a.291 sq.; No. 16 at Vv-a.188 Vv-a.289.
  7. Vimānas of sun and moon. A peculiar (late?) idea is that sun and moon have their vimānas (cp. Vedic ratha = sun). There are only very few passages in the post-canonical books mentioning these The idea that the celestial bodies are vimānas (“immense chariots in the shape of open hemispheres” Kirfel Kosmographie der Inder p. 282) is essentially Jainistic See on Jain Vimānas in general Kirfel, l. c. pp. 7–9, 292–300
    ■ In the Pāli Com. we find Snp-a.187, Snp-a.188 (canda-vimānaṁ bhinditvā = breaking up the moon’s palace, i.e. the moon itself); and Dhp-a.iii.99 (candimasuriyā vimānāni gahetvā aṭṭhaṁsu).
  8. Other terms for vimāna, and specifications. Var. other expressions are used more frequently for vimāna in general. Among these are ratha (see above 1 a); nagara (Pv.24:5) pura (see above 5, as tusita˚); pāsāda; either as dibba˚ (Dhp-a.iii.291), or vara˚; (Vv-a.130), or vimāna˚; (Vv.31:10)
    ■ The vimānas are specified as deva-vimāna “heavenly palace,” e.g. Ja.i.59; Vism.342; Vv-a.173 or (in a still more superlative expression) brahmavimāna i.e. best or most excellent magic palace, highest paradise, e.g. DN.i.17 (here perhaps “palace of Brahmā”), DN.iii.28 (“abode of brahmās” Rh. D.); Iti.15; Vism.108. The latter expression is abbreviated to brahma (nt.) “highest, best thing of all,” “summum bonum,” paradise magic palace: Thag-a.47 (Ap. v. 6) & 55 (Ap; v. 8), at both places as sukataṁ, i.e. well made
    ■ A rather odd expression for the paradisiacal state (in concrete form) is attabhāva (existence, cp. Gr. βιοτή Hom. Od. iv.365?) instead of vimāna, e.g. Dhp-a.i.131 (tigāvuta-ppamāṇa); Dhp-a.iii.7 (id.).
  9. Various. Of innumerable passages in the books mentioned above (under 1) only the foll. may be given for ref.: Ja.iii.310 Ja.iii.398, Ja.iii.405; Ja.v.165, Ja.v.171; Ja.vi.117 sq., Ja.vi.120 sq.; Tha-ap.35, 55 59; Davs.iv.54 (acalaṁ v. antalikkhamhi nāvaṁ gativirahitaṁ ambhorāsi-majjhamhi disvā); and Vimāna Vatthu throughout. Of passages in the 4 older Nikāyas we have only AN.ii.33 (ye devā dīgh’ āyukā uccesu vimānesu cira-ṭṭhitikā). At SN.i.12 = SN.i.23 we should read “na ca mānaṁ” for “na vimānaṁ” (K.S. i.18).

in the Pāli meaning not Vedic. Found in meaning “palace-chariot” in the Mbhārata and elsewhere in Epic Sk.

Vimāna2

disrespect, contempt Snp verse 887 (˚dassin showing contempt).

vi + māna

Pali Text Society Pali–English Dictionary (Rhys Davids & Stede, 1921–25). Source