Klryz
Pronunciation guide: the Pali alphabet and its sounds

Pali has 41 letters, in this order (the dictionary’s order): a ā i ī u ū e o · k kh g gh ṅ · c ch j jh ñ · ṭ ṭh ḍ ḍh ṇ · t th d dh n · p ph b bh m · y r l ḷ v s h · ṃ. Devanagari is shown beside each word; Pali is also written in Sinhala, Burmese, Thai and other scripts.

Vowels

aअa in “about” (short)
āआa in “father” (long)
iइi in “sit”
īईee in “see” (long)
uउu in “put”
ūऊoo in “food” (long)
eएay in “day”; short before two consonants (mettā)
oओo in “go”; short before two consonants (sotthi)

Consonants

Throat

kकk in “skin”
khखk with a puff
gगg in “go”
ghघg with a puff
ṅङng in “sing”

Palate

cचch in “church” (never k)
chछch with a puff
jजj in “jam”
jhझj with a puff
ñञny in “canyon”

Tongue curled back

ṭटt, tongue tip curled back
ṭhठthe same with a puff
ḍडd, tongue curled back
ḍhढthe same with a puff
ṇणn, tongue curled back

Teeth

tतt on the teeth (French t)
thथt with a puff, “at home” (never “thin”)
dदd on the teeth
dhधd with a puff, “adhere” (never “this”)
nनn in “nut”

Lips

pपp in “spin”
phफp with a puff, “uphill” (never “f”)
bबb in “bat”
bhभb with a puff, “abhor”
mमm in “mat”

Others

yयy in “yes”
rरa light tapped r
lलl in “love”
ḷळl with the tongue curled back
vवbetween v and w
sसs in “sun” (never z)
hहh in “hand”
ṃंniggahīta: a nasal hum (saṃgha ≈ “sang-gha”); also written ṁ

How to say a word

  • An h after a consonant (kh, th, dh, ph, bh…) is a puff of breath, never English “th” or “ph”.
  • Double consonants are held: dham·ma, bud·dha, sat·ta (like “bookcase”, not “booking”).
  • Long syllables have ā ī ū e o, end in ṃ, or come before two consonants; the others are short. Stress the second-last syllable if it is long (nib·bā·na, met·tā), otherwise the one before it.
  • Each entry shows the word split into syllables, e.g. nib·bā·na, saṅ·gha, met·tā.
Pali grammar, metre and literary devices

Grammar: genders and numbers

masculinedhamma, buddhamost -a stems; nominative -o (dhammo)
femininemettā, paññāmostly -ā, -i, -ī stems
neutercitta, rūpa-a stems; nominative -aṃ (cittaṃ)
singular / pluraldhammo / dhammāPali has two numbers; the old dual is lost

Grammar: the 8 cases (dhamma, masc.)

nominativedhammo · dhammāsubject
accusativedhammaṃ · dhammeobject; goal of motion
instrumentaldhammena · dhammehiby, with
dativedhammāya, dhammassa · dhammānaṃto, for
ablativedhammā, dhammasmā, dhammamhā · dhammehifrom; because of
genitivedhammassa · dhammānaṃof
locativedhamme, dhammasmiṃ, dhammamhi · dhammesuin, on, at; when
vocativedhamma · dhammāO …!

Singular · plural. buddha declines the same way: buddho, buddhaṃ, buddhena, buddhāya/buddhassa, buddhā, buddhassa, buddhe, buddha.

Grammar: verbs (bhavati / hoti “is, becomes”)

presentbhavati, hoti · bhavanti, hontihe/she is · they are; also bhavāmi/homi “I am”
aorist (past)ahosi · ahesuṃhe/she was · they were (also abhavi)
futurebhavissati, hessati, hohitiwill be
optativebhaveyyamay be, should be (wishes, rules, conditions)
imperativebhavatu, hotu · hontulet it be · let them be
conditionalabhavissawould have been (rare)

Grammar: non-finite forms

absolutive -tvābhavitvā, hutvā; gantvā, disvāhaving been; having gone, having seen
infinitive -tuṃbhavituṃ, kātuṃ, gantuṃto be, to do, to go
present participle -nt / -mānabhavanto, bhavamānabeing
past participle -ta / -nabhūta, kata, dinnabecome, done, given
future passive -tabba / -anīyakātabba, karaṇīyato be done, what should be done

Grammar: compounds (samāsa)

dvandasamaṇabrāhmaṇā“ascetics and brahmins”: X and Y
tappurisarājaputta“king’s son”: Y of/by/for X
kammadhārayamahāpurisa“great man”: Y that is X
digutiratana“the three jewels”: a numeral first
bahubbīhimahāpañña“(one) having great wisdom”: describes someone else
avyayībhāvayathābalaṃ“according to strength”: indeclinable, adverb-like

Grammar: sandhi (joining sounds)

vowel droppedna + atthi → natthi“there is not”
vowels mergetatra + ayaṃ → tatrāyaṃa + a → ā
i + voweliti + evaṃ → iccevaṃi becomes y, ty → cc
ṃ + vowelevaṃ + āha → evam āhaṃ becomes m
ṃ + consonantsaṃ + gaha → saṅgahaṃ takes the nasal of the next consonant
doublingpa + kamati → pakkamatia consonant is doubled after a prefix

Prosody: heavy and light syllables

garu (heavy) –ā ī ū e o; a short vowel + ṃ or two consonantsdham- in dhamma, saṃ- in saṃgha
lahu (light) ⏑a short vowel (a i u) + at most one consonantma- in manasā

Metres are counted either by syllables (akkharachandas) or by morae, mattā (light = 1, heavy = 2).

Prosody: main metres

siloka (anuṭṭhubha)4 × 8 syllablesthe commonest; even lines usually end ⏑ – ⏑ x
tuṭṭhubha4 × 11 syllablesyānīdha bhūtāni samāgatāni (Ratana-sutta, Sn 222)
jagatī4 × 12 syllablesa tuṭṭhubha line with one more syllable; the two are often mixed in one verse
vetālīyalines of 14 + 16 mattācounted in morae, with the cadence – ⏑ – ⏑ –
opacchandasakalines of 16 + 18 mattālike vetālīya, cadence – ⏑ – ⏑ – –
mattāchandasmetres counted in mattāvetālīya, opacchandasaka and the old gīti/āryā forms

Dhammapada 1 (siloka): manopubbaṅgamā dhammā / manoseṭṭhā manomayā / manasā ce paduṭṭhena / bhāsati vā karoti vā: “Mind precedes things; mind is their chief, they are mind-made; if one speaks or acts with a corrupted mind …”

Literary devices in the canon

repetition, peyyāla… pe …repeated passages are written once and abbreviated with pe(yyāla), “and so on”
stock formulasevaṃ me sutaṃ. ekaṃ samayaṃ bhagavā …“Thus have I heard. At one time the Blessed One …”
numerical listscattāri ariyasaccānithe Aṅguttara Nikāya is arranged by number (ones to elevens); mātikā are the Abhidhamma’s lists of headings
similes (upamā)seyyathāpi … evam eva“just as … even so”, e.g. the raft (kullūpama, MN 22)
verse and prose (geyya)prose then summarising versesgeyya is one of the nine kinds (aṅga) of the Teacher’s word
dialogue, questionstaṃ kiṃ maññatha bhikkhave, rūpaṃ niccaṃ vā aniccaṃ vā ti? aniccaṃ bhanteteaching by question and answer (SN 22.59)
refrainseko care khaggavisāṇakappo“let one wander alone like the rhinoceros horn” ends each verse of Sn 35–75
chiasmus, ring structurena hi verena verāni sammantīdha kudācanaṃ / averena ca sammantimirrored order (Dhp 5); many suttas end by returning to their opening
word-playlujjatī ti kho bhikkhu, tasmā loko ti vuccati“it crumbles (lujjati), so it is called the world (loka)” (SN 35.82)
epithetsbhagavā, tathāgata, sugataand the ‘iti pi so’ list: arahaṃ sammāsambuddho vijjācaraṇasampanno …
framing storiespaccuppannavatthu · atītavatthu · samodhānaa Jātaka’s present story frames the past story, then identifies the characters; Vinaya rules each have an origin story
uddānaa mnemonic verse after each vaggalists a key word from each sutta so the chapter can be recited from memory

Sources: A. K. Warder, Introduction to Pali (Pali Text Society, 3rd ed. 2001) and Pali Metre (PTS, 1967); W. Geiger, Pāli Literatur und Sprache (1916), rev. K. R. Norman as A Pāli Grammar (PTS, 1994); K. R. Norman, Pāli Literature (1983) and his papers on Pāli metre.

Pali Dictionary

रस

rasa

Say it: ra·sa

Sanskrit equivalent

रस rasa, arṣati, ऋषभ ṛṣabha

Meaning

Rasa1

that which is connected with the sense of taste. The defn given at Vism.447 is as follows “jivhā-paṭihanana-lakkhaṇo raso, jivhā-viññāṇassa visaya-bhāvo raso, tass’ eva gocara-paccupaṭṭhāno mūla-raso khandha-raso ti ādinā nayena anekavidho, i.e. rasa is physiologically & psychologically peculiar to the tongue (sense-object & sense-perception), and also consists as a manifold object in extractions from roots, trunk etc. (see next)
■ The conventional encyclopaedic defn of rasa at Mnd.240; Cnd.540, Ds.629 gives taste according to: (a) the 6-fold objective source as mūla- rasa, khandha˚, taca˚, patta˚, puppha˚, phala˚; or taste (i.e. juice, liquid) of root, trunk, bark, leaf flower & fruit; and (b) the 12-fold subjective (physiological) sense-perception as ambila, madhura, tittika kaṭuka loṇika, khārika, lambila (Mil.56: ambila) kasāva; sādu, asādu, sīta, uṇha, or sour, sweet, bitter pungent, salt, alkaline, sour, astringent; pleasant, unpleasant cold & hot. Mil.56 has the foll.: ambila lavaṇa, tittaka, kaṭuka, kasāya, madhura.

  1. juice [as applied in the Veda to the Soma juice], e.g. in the foll. combinations: ucchu˚; of sugar cane, extract of sugar cane syrup Vin.i.246; Vv-a.180; patta˚ & puppha˚; of leaf & flower Vin.i.246; madhura˚; of honey Pv-a.119
  2. taste as (objective) quality, the sense-object of taste (cp. above defns). In the list of the āyatanas or senses with their complementary sense-objects (sentient and sensed) rasa occupies the 4th place following upon gandha. It is stated that one tastes (or “senses”) taste with the tongue (no reference to palate) jivhāya rasaṁ sāyitvā (or viññeyya). See also āyatana 3 and rūpa
    ■ MN.iii.55 (jivhā-viññeyya r.), MN.iii.267; DN.iii.244, DN.iii.250; Snp verse 387; Ds.609; Pv-a.50 (vaṇṇagandha-rasa-sampanna bhojana: see below 5).
  3. sense of taste, as quality & personal accomplishment. Thus in the list of senses marking superiority (the 10 ādhipateyyas or ṭhāṇas), similar to rasa as special distinction of the Mahāpurisa (see cpd. ras-agga) SN.iv.275 = Pv.21:58; AN.iv.242.
  4. object or act of enjoyment, sensual stimulus, material enjoyment, pleasure (usually in pl.) Snp verse 65 (rasesu gedha, see materialistic exegesis at Cnd.540), Snp verse 854 (rase na anugijjhati; perhaps better rasesu, as Snp-a); AN.iii.237 (puriso agga˚-parititto perhaps to No. 2).
  5. flavour and its substance (or substratum), e.g. soup Vv-a.243 (kakkaṭaka˚ crabsoup), cp. SN.v.149, where 8 soup flavours are given (ambila, tittaka, kaṭuka, madhura, khārika, akhārika loṇika, aloṇika); Pv.13:15 (aneka-rasa-vyañjana “with exceptionally flavoured sauce”); Ja.v.459, Ja.v.465. gorasa “flavour of cow, i.e. produce of cow: see under go. Also metaphorically: “flavour, relish, pleasure” Snp verse 257 (pariveka˚, dhamma-pīṭi˚, cp. Snp-a.299 “assād aṭṭhena” i.e. tastiness); Pv-a.287 (vimutti˚ relish of salvation). So also as attha˚, dhamma˚, vimutti˚ Ps.ii.89.
  6. (in grammar & style) essential property, elegance, brightness; in dramatic art “sentiment (flavour) (see Childers s. v. naṭya-rasa) Mil.340 (with opamma and lakkhaṇa: perhaps to No. 7); Pv-a.122 (˚rasa as ending in Np. Angīrasa, explained as jutiyā adhivacanaṁ” i.e. brightness, excellency).
  7. at t. t. in philosophy “essential property” (Expos. 84), combined with lakkhaṇa etc. (cp. Cpd. 13, 213), either kicca˚ function or sampatti˚; property Dhs-a.63, Dhs-a.249; Vism.8 Vism.448; Mil.148.
  8. fine substance, semi-solid, semiliquid substance, extract, delicacy, fineness, dust. Thus in paṭhavī˚; “essence of earth,” humus SN.i.134 (translation “taste of earth,” rather abstract); or rasapaṭhavī earth as dust or in great fineness, “primitive earth” (before taking solid shape) DN.iii.86 sq. (trsl “savoury earth,” not quite clear), opp. to bhūmipappaṭaka; Vism.418; pabbata-rasa mountain extract, rock-substance Ja.iii.55; suvaṇṇa˚; gold dust Ja.i.93.
  9. (adj. ˚) tasting Vv.16:11 (Amatarasā f. = nibbānarasāvinī Vv-a.85).

Vedic rasa; with Lat. ros “dew,” Lith. rasā id., and Av Ranhā Name of a river, to Idg. *eres to flow, as in Sk. arṣati, Gr. α ̓́ψορρος (to ῥέω); also Sk. ṛṣabha: see usabha1
■ Dhtp.325 defines as “assādane” 629 as “assāda-snehanesu”; Dhtm.451 as “assāde.”-The decl. is usually as regular a-stem, but a secondary instr fr. an s-stem is to be found in rasasā by taste AN.ii.63; Ja.iii.328

Rasa2

(-˚) is a dial. form of -dasa ten, and occurs in Classic Pāli only in the numerals for 13 (terasa), 15 (paṇṇa-rasa, pannarasa), 17 (sattarasa) & 18 (aṭṭhārasa, late). The Prk. has gone further: see Pischel; Prk. Gr. § 245.

Pali Text Society Pali–English Dictionary (Rhys Davids & Stede, 1921–25). Source